‍Dané Erwee and Chris Willemse of Okasie, have created an oasis of creativity in the heart of the Cape Winelands, halfway between Stellenbosch and Franschhoek in the little known area of Pniel. As floral designers, they grow flowers and botanicals for their innovative floral installations (artworks in themselves) but have surrounded themselves with art they love.

We popped in during Spring, when the farm was awash with white plum blossom – just spectacular – but right now the gardens are in full late-summer bloom. Dané shares his
'non-gallery' approach to the collection at the Homestead...

When did you start collecting art? And how did it affect your decorating style?
‍I really don’t consider myself an art collector – I would say more of a magpie.  I remember growing up and having an appreciation for paintings and old Delft plates that my mother hung on the wall in the so-called 'formal sitting room' at the time. My love of the Old Masters was kindled at an early age and it was a big moment for me when I finally saw the real works in the Rijksmuseum – and the Van Gogh Museum. When something catches my eye, whether it's an old book, a vase, or a bit of taxidermy, it becomes another layer of comfort in our space. It is not something I overlook or take for granted – it does play a major part in my spaces and daily life.

Which was your first investment piece?
‍Collecting and supporting young and upcoming artists is far more gratifying rather than being motivated by investment. The Stellenbosch University final year exhibition presents a perfect opportunity to spot unique talent at an affordable price. The charcoal drawing of the donkey in the foyer was one of our first of these pieces.

We love the way you hang your paintings: tell us more about how you curate your collections?
I like the idea of almost hiding something beautiful, only to be surprised by it in the kitchen or dressing room. Or even above the loo. A non-gallery approach. Or overly layered like in the dressing room where a collection of old faded watercolours compliment two old wardrobes. 

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Being floral designers, you have a beautiful room for flower arranging in the house.
Tell us more?
‍I like to work in the scullery where there is a big basin to fill vases with water but our collection of vases got out of hand so we have moved them out of the house into a cupboard in the garage. They are mostly market finds, the old glass battery jars being a firm favourite that never fail to impress. I like tall arrangements and like to work with branches of trees, so heavy bottomed vases are essential to prevent them from falling over. The framed flowers in the scullery are antique finds and taken from old books (Pierre-Joseph Redouté) and hung alongside hand-drawn botanical studies. The lamp shade pattern is drawn and screen printed by hand in our studio at Okasie.

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‍How has your style of art changed over the years?
‍I prefer a less contrived, less ornate style. More accessible, harmonious and not intimidating.

Any advice for collectors? Do you buy online or prefer to browse at auction houses and in out-of-the-way antique shops?
‍Impromptu buying is far more exciting than online but actually, there are no rules. I try to stay away from auctions although I am very tempted at times.

Read more about Johannesdal’s Farmhouse and Johannesdal 1207, both of which are available to book on reservations@arthouse-collection.com